Clawing back from too long an absence to tell you that back in the summer I was delighted to receive another visit from artist and art instructor, Deborah George. She was triumphant over the task from the year prior I'd given her to produce the Painting Chicken puppet for the series.
It took her a year's worth of very hard work to construct. Apparently, placing each tiny natural feather by hand was a sisyphean nightmare to do, with lots of glue maddeningly sticking to fingers and tools.
The concept was a black and white chicken with a few outlined feathers colored-in. Deborah did an outstanding job and added the touches of specs and an artist's beret for his comb. She rigged the wings to curve around a palette and to hold his paintbrush for Motif's limited animation movements. He will be tied down to the set with wire and strong glue. His head swivels nicely.
She also skillfully sketched the 1/2L landscape from the Chicken Painter's pov with its underpainting. He'll be seen painting plein air near the cottage for just a few moments as the camera features surprising vignettes of creatures doing interesting things. Well done, Deborah and thank you so much.
Tuesday, January 13, 2015
Saturday, September 13, 2014
She labored hard with me to make the wonderful bamboo grove set for the mothman, erecting the large white cardboard 2D foreground forest from the trees drawn by Peggy, and helped me get the birch tree forest to stand, among other things. She was focused, hardworking, artistic, refined, sophisticated. A New Yorker, in other words, having transplanted herself to California about 15 years ago.
Constance always had a vision of women helping each other with large creative projects as a means to connect and share strengths, like old fashioned quilting bees. I think that's what brought her over to Halfland a lot, that there was a certain momentum of gathering taking place at the loft every Friday where she could gather in a creative circle and work happily towards something together.
But she came more than that, at least twice a week for a time. She came for the hard stuff. She came to do the bullwerk of difficult physical tasks. We had the satisfaction together of completing these and admiring how they looked. She helped make the moon. She made an exquisite butterfly, a work of art, one of the few things made by someone else I'm excited to feature in the film. She roughed in the mouse's house interior, pushing down that inertia for me so I could make it. Thank you for all your help, Constance.
After my move to this smaller place, during my own long walk back to health, Constance would check in on how things were going. I did the same around Easter. She said that she'd been dealing with some inexplicable weakness and permitted me to bring over some food she felt might be good.
Paul and I stopped by her home with the goods and were stunned by her appearance. She was skeletal. All we could say after not having seen her for months was, "What's going on??!?" She didn't know. Her husband rushed to to the ER later that very night in distress, her dam of pain finally burst. And so began weeks of the waning of her physical life, that culminated last month.
There was tremendous support of all kinds for she and Richard from that day on. With much organizing help by her friend Paula, friends, ministers, and relatives were able to keep a near constant watch over Constance. We all took our coordinated turn taking her for appointments, treatments, and later, when it seemed best, just to come and sit waiting for her passing.
In a way it was a shocking horror show of an experience. I could not get my head around how a human body could survive such profound loss of all its lovely flesh. How could she walk and speak when tumors were invading places within her that must have confused all internal function. How difficult for her mate to watch and to endure such an ordeal. And yet, he did much more than survive it. He triumphed over it all with love, rising to her every need with strength and purpose. He would give her everything he could until this path was fully walked.
There was Constance. Still refined, and funny, and philosophical about it all. Needing Richard. For herself she wished for a 'clean get away', to be clear and complete inside herself and with everyone she'd be leaving behind. She took the High Road out from my point of view, demonstrating the noblest of perspectives during these declining months.
On my last visit she would forget to take a breath every so often. I'd remind her and she'd come alive with a gasp and expressively whisper, "Thank you!" Even then, some lucid aspect of her consciousness would ask out loud, "How do I get out of this?" Without obvious alternative, only a suggestion to follow the Light sounded hopeful.
If there is, as I believe, some sort of continuation after this physical experience, then I'm sure Constance's Soul is having fun somewhere, making silly puns with wordplay, and creating wondrous things. Maybe, if she wants to, building forests of the lasting kind.
Friday, August 29, 2014
I have no idea whether this is really real, whatever that is, or Photoshopped or what but the idea is utterly Halflandian and striking. Tumblr The Lifting of the Veil reports that roots of trees in North Carolina have taken shape as emerging human forms. Nature beats me to it everytime.
Anthropomorphism which is the recognition of human-like characteristics or form in animals, plants or non-living things. This tree, which can be found in the Outer Banks of North Carolina, has roots which have taken a human-like form.