Under the Bounding Maine

Skinned the set pieces that had a lot of scene detail on them down to the plaster layer. Too messy to use, dust everywhere, paper machéd the back sides (with Christine's needed help). Took a week. Painted the back sides blue to use as an ocean set when needed, why waste the undersides? (sky components being painted medium blue in middle shot)

Took another week on the floor to seal all set piece edges with masking tape and flexible cement then repainted the entire top sides to look as natural as possible. Close-up texture details, only where specifically needed for actual shots in the film, are added while sitting at a table back in the studio.