Underground Stuntworm!
making it feel more dimensional and full.
On the side of the underground set I used leftover dirt cloth made back at the loft (perhaps for this purpose) to make ridges and groves for the silk-covered worm puppet to wriggle into and around.
The puppet itself is made on a plastic ball-jointed armature, covered with layers of tight fabric wrapping cinched with wire to enhance its many hourglass curves. The final layer was a ruched tube of silk that had been sun-faded outside for a long while. It just looked right so I used it. Coated it finally in a flexible iridescent medium that makes things appear to be wet, to contrast with the flat matte of the dirt.
I shot these test shots with a small fresnel magnifying lens to add the Halfland atmosphere and slight analog distortions I need to make it all feel dream-like and poetic. I found that if I draped myself in black felt, I could control the flares and glares.
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